![]() ![]() Once you’ve got a Nashville-tuned acoustic, creativity is bound to flow and outside-the-box ideas will present themselves. “I actually recorded a track for John Mayall using only the Nashville-tuned Martin because I didn’t want to do the standard blues thing,” he explained. In his September 2018 Frets feature, Alex Lifeson said that he simply removes the wound strings from his Martin 12-string, and that he’ll use it for almost anything. ![]() Common logic says that larger guitars don’t provide as much “pop,” and intonation issues may arise, but there are no real rules on the road to Nashville. If you’ve got a travel guitar or a parlor style, give it a go. Nashville tuning takes that combo to new heights. It was only tuned up a step and a half when I played it, yet the piccolo-like tone achieved via a high-strung small box was stunning. Martin’s Sting Mini size 5 terz guitar prototype is one of the more interesting modern guitars in its museum. High-strung modal tunings can facilitate fantastic exotic acoustic tones. Furthermore, the acoustic guitar itself can adopt attributes associated with other instruments.Īpplying a capo or utilizing an alternate tuning can help conjure tones more akin to a mandolin, five-string banjo, and even a soprano ukulele in re-entrant tuning (where the strings aren’t in order from lowest to highest pitch, or vice versa).ĭavid Gilmour is said to have applied the latter concept quite literally to a variation of Nashville tuning on the iconic intro to Pink Floyd’s “Hey You” by using a second E string in the sixth slot. ![]() A Nashville-style string set is clustered more closely together in pitch than a standard string set, so chord voicings can take on a keyboard-like quality. Tonal SopranosĬhime and clarity with copious amounts of springy string ring are the tonal hallmarks Nashville tuning provides. And while simulating a 12-string may be the primary application, plenty of precious guitar parts have been created and tracked by simply using a single guitar in Nashville tuning. You might ask, “Hey, couldn’t I simply cut a single track on a 12-string”? Well, lucky you if you own a 12-string, but a single track of that is still not as cool.ĭoubling a six-string track in Nashville provides a more severe chorus effect, creates less clutter in the low end, and opens up new panoramic and processing possibilities. The traditional trick is to record a part on a six-string, and then double it in Nashville tuning to simulate a 12-string. ![]()
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